Michel de Broin, Out of the white, 1996. (The intervention on the wall itself consists in extracting a sample of the thick skin of paint composed by the “hundred” exhibitions before this one. The skin of the gallery is hung next to the place where it was removed)

Michel de Broin, Out of the white, 1996. (The intervention on the wall itself consists in extracting a sample of the thick skin of paint composed by the “hundred” exhibitions before this one. The skin of the gallery is hung next to the place where it was removed)

01/01/13