Initiated during a residency at Spike Island, 2011, and presented at Corner College, in June 2012, The Construction School – featuring Icarus at Kunstverein - is a project by designer James Langdon and explores the history of a bold attempt to establish an experimental art school in a provincial English context. The first phase (1964 to 1968) placed an emphasis on interdisciplinary working and collaboration. The second phase (1975 to 1977) was defined by a radical attempt to decentralise the educational structure of the school.
The school’s history is closely bound to the career and concerns of its founder Norman Potter, a practitioner in the margins of a mid-twentieth century English design culture. His work at the Construction School represents a period of intense critical thought about the structure of design education. The constitution of the school exemplified many of the ideas expressed in Potter’sWhat is a Designer, a text that was formulated during his time in Bristol. In particular Potter’s emphasis on the relational aspects of design – the mechanics of social interactions that shape design processes – was a defining feature of his programme.
From September 08, 2012Kunstverein, Amsterdam
[via manystuff]

Initiated during a residency at Spike Island, 2011, and presented at Corner College, in June 2012, The Construction School – featuring Icarus at Kunstverein - is a project by designer James Langdon and explores the history of a bold attempt to establish an experimental art school in a provincial English context. The first phase (1964 to 1968) placed an emphasis on interdisciplinary working and collaboration. The second phase (1975 to 1977) was defined by a radical attempt to decentralise the educational structure of the school.

The school’s history is closely bound to the career and concerns of its founder Norman Potter, a practitioner in the margins of a mid-twentieth century English design culture. His work at the Construction School represents a period of intense critical thought about the structure of design education. The constitution of the school exemplified many of the ideas expressed in Potter’sWhat is a Designer, a text that was formulated during his time in Bristol. In particular Potter’s emphasis on the relational aspects of design – the mechanics of social interactions that shape design processes – was a defining feature of his programme.

From September 08, 2012
Kunstverein, Amsterdam

[via manystuff]

08/22/12