lawrenceleemagnuson:

Nicholas Roerich (Russia 1874-1947) Rocks and Cliffs, from the series ‘Ladoga’ (c. 1917)oil on panel 32.5 x 40 cm

lawrenceleemagnuson:

Nicholas Roerich (Russia 1874-1947)
Rocks and Cliffs, from the series ‘Ladoga’ (c. 1917)
oil on panel 32.5 x 40 cm

08/21/14
lawrenceleemagnuson:

Sergei Vinogradov (Russia 1869–1938)Pechersky Cloister. Big Belfry (1929)oil on canvas  91 x 71 cm

lawrenceleemagnuson:

Sergei Vinogradov (Russia 1869–1938)
Pechersky Cloister. Big Belfry (1929)
oil on canvas  91 x 71 cm

08/21/14
lawrenceleemagnuson:

Martiros Saryan (Armenia 1880-1972)Rue d’une ville caucasienne (Tiflis) 1927oil on canvas 61 x 46 cm

lawrenceleemagnuson:

Martiros Saryan (Armenia 1880-1972)
Rue d’une ville caucasienne (Tiflis) 1927
oil on canvas 61 x 46 cm

08/21/14
alongtimealone:

David Park,

alongtimealone:

David Park,

(via urgetocreate)

08/21/14
jehart:

Red-eyed tree frog life cycle
in watercolour and technical pen on Arches hotpress watercolour board. 
Finally posting this piece, which I finished a while ago. This was part of my semi-private lessons on topics in scientific illustration, and was the first time I’d made a descriptive illustration in watercolour (usually, it’s Adobe Illustrator). I’ve discovered that I’m not so skilled in painting backgrounds, but it was an interesting learning experience, and I think that it would be fun to try again some day. I’m not crazy about the illustration board I use, since it curved severely under heavy washes, so next time I’ll probably use stretched or heavy hotpress paper. On the plus side, it holds up remarkably well to multiple layers of liquid masking fluid. 

jehart:

Red-eyed tree frog life cycle

in watercolour and technical pen on Arches hotpress watercolour board. 

Finally posting this piece, which I finished a while ago. This was part of my semi-private lessons on topics in scientific illustration, and was the first time I’d made a descriptive illustration in watercolour (usually, it’s Adobe Illustrator). I’ve discovered that I’m not so skilled in painting backgrounds, but it was an interesting learning experience, and I think that it would be fun to try again some day. I’m not crazy about the illustration board I use, since it curved severely under heavy washes, so next time I’ll probably use stretched or heavy hotpress paper. On the plus side, it holds up remarkably well to multiple layers of liquid masking fluid. 

(via sciencefriday)

08/21/14
ladiesandviolentmen:

Curtis Miller
Blue Grid 3 (2014). Acrylic on routed panel.

ladiesandviolentmen:

Curtis Miller

Blue Grid 3 (2014). Acrylic on routed panel.

(via ryannordkitchen)

08/21/14
bofransson:

Pierre Bonnard (1867-1947) Coup de soleil (La terrasse de ‘Ma roulotte’ à Vernonnet)

bofransson:

Pierre Bonnard (1867-1947) Coup de soleil (La terrasse de ‘Ma roulotte’ à Vernonnet)

(via ryannordkitchen)

08/21/14
dionyssos:

Raoul Dufy , La baie de Napels 1922 Watercolor and gouache

dionyssos:

Raoul Dufy , La baie de Napels 1922 Watercolor and gouache

(via ryannordkitchen)

08/21/14
alongtimealone:

stuart davis

alongtimealone:

stuart davis

(via ryannordkitchen)

08/21/14
urgetocreate:

Mairead O’hEocha, Evening Sky at M50 Facing West, 2013

urgetocreate:

Mairead O’hEocha, Evening Sky at M50 Facing West, 2013

08/21/14