February 2011
Yes, I’m drunk. And you’re beautiful. And tomorrow morning, I’ll be sober but...
– The Dreamers (via noellekulei)
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Pray for change, sing it out in many, metallic waves of sound, brimming with future as it reaches shore. Tumbling madly, eyes shut, towards a fresh sandy terrain. Look forward, march, stomp, run, flee from the tumultuous past. Sometimes you could never find the right song to embody how you are feeling after a week’s severe beginnings. Tomorrow is just a heartbeat away.
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Read: The Young Folks by J.D. Salinger →
Style is knowing who you are, what you want to say, and not giving a damn.
– Gore Vidal
Everyone's a critic now →
youmightfindyourself:
Late last year there was a confluence of critical opinion in America the likes of which the nation hadn’t seen in years. Every single film critic in the traditional media – 350 “best” lists, the ads boast – seemed to anointThe Social Network, director David Fincher’s semi-fictionalised account of the founding of Facebook, as the movie of the year, maybe even of the...
January 2011
Wilhelm scream
The Wilhelm scream is a frequently-used film and television stock sound effect first used in 1951 for the film Distant Drums. The effect gained new popularity (its use often becoming an in-joke) after it was used in Star Wars and many other blockbuster films as well as television programs and video games. The scream is often used when someone is shot, falls from a great height, or is thrown from...
James Blake - The Wilhelm Scream
Screenwriting Tip #523
screenwritingtips:
If you don’t know what you’re doing with a scene, you can’t force it. You can cut it, replace it or wait until you figure it out. Forcing it produces crappy scenes.